Related Articles
‘Something will go wrong’: Why readers agree with David Hockney – the Bayeux Tapestry should stay in France
Our community overwhelmingly sided with David Hockney, arguing that the Bayeux Tapestry is too irreplaceable to justify the risks of moving it to London, even temporarily
garethharr
Also part of @artesmundi 11 - superb show of works by Sancintya Mohini Simpson @chapterartscentre. Simpson is a descendant of indentured labourers sent from India to work on colonial sugar plantations in South Africa.
Puerto Rico’s National Forest Becomes a Living Laboratory for Art and Ecology
Bringing art into a protected national rainforest—the largest in the U.S. Forest Service system—requires not only intense, multilateral curatorial thinking but also empathy that extends beyond the human to nature itself.
Pitti Uomo: Hed Mayner’s show found beauty in ‘wrongness’
Built in the 1930s as a stopover for the royal family during visits to Florence, the squat structure designed by Gruppo Toscano hides its beauty behind a sober facade – inside, lavish walnut panelling, shimmering golden tiles and swathes of marble flooring reveal its royal patronage.
Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
Czech-born and Montreal-based, Sterbak deals in images and materials that invite this aura too—hers is a practice full of beckonings that become feints; she pulls in our witness before repelling it.
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