Marking its third edition, Riyadh's Diriyah Contemporary Art Biennale gathers 68 artists from 37 nations to critically engage with global migration narratives, featuring compelling installations that bridge ancestral knowledge with contemporary artistic practices.
Dylan Doe's "Muscle Memory" exhibition, presented by Mandy Zhang Art and curated by Ning Yu, explores how the human body’s unconscious movements are re-sculpted by digital repetition, revealing the complex emergence of post-human sensibilities through fragmented forms.
Brunette Coleman in London stages an astute examination of artistic ritual, presenting Paride Maria Calvia’s meticulous material accumulations, Hubert Duprat’s natural collaborations with caddisfly larvae, and Irene Fenara’s archival recontextualization of surveillance footage.
Commemorating his recent monograph, Dan Estabrook's "Forever & Never" at Gitterman Gallery unveils three decades of work, employing early photographic processes and mixed media to explore the psychological interplay between 19th-century aesthetics and contemporary themes of the supernatural and macabre.
Bushwick Gallery mounts a significant late-career survey of Ray Rogers's seven-decade abstract painting practice, revealing a sustained dedication to immediate, unmediated gesture that positions his work as an active force in contemporary abstraction.
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