Twenty-three years before releasing his breakout film "Love Is the Message, The Message Is Death," and while still working primarily as a cinematographer, artist and filmmaker Arthur Jafa wrote a review of the Hughes brothers "Menace II Society" in the Summer 1993 issue of Artfo...
Tate Modern's "Frida: The Making of an Icon" critically dissects Kahlo's post-mortem transformation into a global brand, juxtaposing her iconic oeuvre with the pervasive commercialization of her image and her lasting influence on subsequent generations.
Robert Swope unveils "Órale: Love and Death in Mexico City," a posthumous collection of Michel Hurst's intimate street portraits co-edited by Nan Goldin, offering an unvarnished yet deeply respectful lens into the daily lives of the city's working class.
Pilar Corrias Gallery presents a group show Soft Spot, June 26 until August 21.
The joint winner of the Turner Prize has withdrawn her work following backlash over its claim that Winston Churchill "starved people" during the Bengal famine in World War II.
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