The Grand Theater of Ideas," an itinerary with works by Bernini, Borromini, Guercino, Rubens, Bacon, Boldini, de Chirico, Fontana and Boccioni, which puts the seventeenth and twentieth centuries in dialogue.
Especially when the gallery includes both a solo in São Paulo, “Àkùko, Eiyéle and Ekodidé—A Flock by Alberto Pitta”—as well as at the gallerist’s New York space for a show along with the paintings of Afro-Brazilian artist Elian Almeida, “Alberto Pitta and Elian Almeida: Carnival, Struggle and Other Brazilian Stories,” curated by Luis Pérez-Oramas.
“The CAP Show” is the first exhibit of its kind since 2009.
Internationally celebrated for her large-scale public works, this solo exhibition offers a deeper insight into Eilis O’Connell’s transformative practice.
The 22,000 square feet dedicated for the memorial will include three parts: a memorial, a path of remembrance with a glass walkway underneath through which people can look down and see railroad tracks, and a reflecting pool where people can sit and reflect.
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