“Rudolf Wacker: Magic and Abysses of Reality” at the Leopold Museum offers a comprehensive view of the prolific Neue Sachlichkeit painter, while Albertina Modern presents “Erwin Wurm: A 70th-Birthday Retrospective”.
There was much more to 2024 than Maurizio Cattelan’s Comedian making a scene stealing comeback. Here are the highlights (and some low points) in the year in which the art world said farewell to several influential artists, flocked to the Venice Biennale, experienced the fall-out from the ongoing conflict in the Middle East and braced itself, or cheered, Donald Trump's imminent return to the White House.
To coincide with Elliott Puckette’s recent solo exhibition at the gallery, "Unfolding", The Kasmin Review shares the late curator David Anfam's essay on the artist.
Director Brady Corbet’s film “The Brutalist,” is an imposing portrait of fictional architect László Tóth, a Holocaust survivor starting over in the US, has already achieved near-universal acclaim.
Urs Fischer who won GNMH AWARD. @chaosursfischer. #ursfischer. #installation#museum#gallery#modernart#artfair#contemporaryart#painting#art#artbasel#exhibition#biennale#############. ###GNMHAward#GNMHTheory#kimjunghwi.
Celebrated artist Adip Dutta is showcasing a series of his works from different phases of his working years at the ongoing Bengal Biennale’s Archaeology of the Present: Traces and Transformations section at The Red Bari, Kolkata.
In September, the Ashmolean Museum in Oxford launched a campaign to raise the funds needed to buy The Crucifixion (1420s), a small gold-ground panel by Fra Angelico.