Ahead of her first solo museum show, Eleanor Conover brings her materially complex, sculptural canvases, which often incorporate diverse elements and nuanced surface treatments, to Independent for her New York debut with Abattoir Gallery.
The "Permanence/Impermanence" conference convenes leading voices to dissect the curatorial and museological challenges inherent in collecting and archiving contemporary clay practices, particularly those that are ephemeral, site-specific, or live.
Charting a course through the 61st Venice Biennale, this curated selection spotlights crucial presentations, from Lee Ufan's meditative survey to the provocative dialogues between Arthur Jafa and Richard Prince at Fondazione Prada.
The Brooklyn Museum's Artist's Ball marked a significant tribute to Dutch designer Iris van Herpen, immersing an exclusive crowd in her groundbreaking fusion of technology and haute couture, while previewing her inaugural New York retrospective.
At C+C Photography Gallery, Vincent Ricardel’s "It's a Sign!" elevates mid-20th century American commercial signage from functional objects to evocative cultural icons, charting their role as inadvertent symbols of a bygone era's optimism.
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