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Four Antonello da Messina works stolen from Sicilian museum
Four Antonello da Messina works stolen from Sicilian museum

On a national holiday, thieves executed a swift and precise heist at the Museo Regionale di Messina, pilfering three panels from Antonello da Messina's Polyptych of San Gregorio and a Madonna with Child, works significant as the master's sole pieces remaining in his native Sicily.

Edmé Bouchardon’s bust of Sir John Gordon could go to overseas buyer
Edmé Bouchardon’s bust of Sir John Gordon could go to overseas buyer

Edmé Bouchardon’s pivotal 1728 bust, illustrating the transition from Rococo flamboyance to Neoclassical austerity, teeters on the brink of an overseas sale, despite a public outcry and funding impasses that challenge its retention in Scotland.

How a little known government agency helped crack Canada’s biggest art fraud
How a little known government agency helped crack Canada’s biggest art fraud

Through meticulous scientific documentation, the Canadian Conservation Institute uncovered the audacious methodology behind a large-scale Norval Morrisseau forgery scheme, pinpointing "paint-by-numbers" guides hidden within fraudulent canvases.

FBI in LA Returns Ancient Artifacts to Egyptian Officials
FBI in LA Returns Ancient Artifacts to Egyptian Officials

The FBI's Los Angeles bureau formally repatriated 48 significant Egyptian artifacts, including carvings and amulets from Pharaonic, Roman, and Coptic eras, emphasizing the sustained international commitment to combating cultural property trafficking.

CNR, theft of the "Antonello" from Messina: the 2018 forensic profile could prove invaluable if the artwork is recovered
CNR, theft of the "Antonello" from Messina: the 2018 forensic profile could prove invaluable if the artwork is recovered

In the wake of the Antonello da Messina theft from Messina's "Accascina" Regional Museum, the comprehensive diagnostic documentation compiled in 2018 by CNR-IPFC and the University of Palermo emerges as a critical pre-theft scientific baseline for the potential authentication and identification of the recovered artworks.

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