At Sapieha Palace, 'Housekeeping in a Dangerous Time' presents artistic explorations of contemporary intergenerational contracts, scrutinizing the impact of global crises and digital systems on notions of maturity and individual self-formation.
Rosie Clements "Superimposed" in 'Sometimes, why?'. curated by @sebastian.rosen_ at @houseofcohit. The group exhibition explores the complex landscapes of memory, anticipation, and emotional history. It centers on the concept of circling sentimentality.
"Playfulness can be very dangerous and unsettling and dark and controlling and weird, and I think it opens up a lot. I, personally, hate to be played with.
A recent biography and two concurrent exhibitions illuminate how Paul Thek's expansive, genre-defying practice, encompassing painting, sculpture, and theatre design, actively resisted easy categorization within the art market.
At the Wyoming Women’s History House, "Material Connections: Wyoming Women in Art" convenes eight state artists whose diverse practices explore female identity and historical narratives within the region.
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