CORALE, the inaugural exhibition at FRENCH PLACE Milan, actualizes its vision of polyphony through a curatorial framework engaging Glissant’s ‘right to opacity’ and Deleuze’s rhizomatic thought to foreground diverse individual poetics.
A Michelangelo drawing achieving a new artist record and an Artemisia Gentileschi self-portrait setting a new high underscored the Old Masters market's momentum, attracting collectors migrating from contemporary art.
The Julia Stoschek Foundation makes its U.S. debut, transforming Downtown Los Angeles’s historic Variety Arts Theater into an immersive survey of a century of time-based art by prominent artists, from early cinema to contemporary moving-image works.
At NISO Gallery London, "Collective Statement" presents eight artists, including João Trevisan, in an exploration of art's inherent mechanics, thoughtfully integrating documentary material to reveal the profound interplay between finished works and their formative processes.
A new proposal suggests relocating Joe Frazier's statue to the Philadelphia Art Museum steps, creating a civic dialogue between the boxing legend's real-life achievements and the enduring cultural mythology of Rocky Balboa.
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