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zU-studio’s design for San Sebastián’s urban plaza employs radial geometry, reinterpreting the traditional Basque ‘Eguzki-Lore’ sunflower motif to define the space, with the sculptural bench serving as a key anchor within this culturally resonant configuration.
‘In Mali, When Animals Dance’ – Inside the Pulse of Sogo Bò
Yoann Cormier elucidates the innovative immersive staging and curatorial choices made to translate the vibrant Malian sogo bò performance tradition from its communal origins into an engaging museum experience at the Musée des Confluences.
Rosy Simas: A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)
At the Walker Art Center, Rosy Simas unveils an immersive installation, the inaugural work of her two-year residency, deeply rooted in Onöndowa’ga:’ traditions of peace, family, and community, informed by her extensive genealogical research.
Fashion and fortune
October Gallery's exhibition of Sokari Douglas Camp’s steel sculptures eloquently dissects how historical fashion and adornment in the Atlantic world reflect the intricate interplay of commerce, colonial power, and the resilience of identity.
The grammar of the invisible: Pamela Diamante at Pinacoteca Metropolitana Corrado Giaquinto in Bari
Pamela Diamante's installation at the Pinacoteca Metropolitana Corrado Giaquinto investigates the systemic invisibilization of Southern Italian female agricultural laborers, challenging how an excess of exposure within hierarchical structures reduces them to mere functions.
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