Museion's comprehensive presentation of Franco Vaccari’s environmental works examines how his conceptual practice engaged audience participation and context to shape art as an evolving social construct.
Manchester artist Omid Asadi, whose practice delves into themes of home, identity, and memory, commences a residency at the University of Salford’s Energy House 2.0, where he will create new work in response to its pioneering retrofit research within a recreated 1930s dwelling.
Nilbar Güreş’s exhibition "A Kiss on the Eyes" for the Türkiye Pavilion at the 61st Venice Biennale delves into questions of identity, displacement, and social inequality through multidisciplinary works that engage both the materiality of memory and a viewer's bodily perception of space.
At Perrotin Paris, Bernard Frize's exhibition "Les 26" reveals the nuanced optical tension and controlled variations within his signature geometric latticework, continuing his rigorous exploration of self-imposed artistic systems.
Having recently transitioned from a distinguished writing career to an intuitive mixed-media practice, Diana Kemp launches Dreamscapes, a collection of evocative visual narratives that has swiftly attracted curatorial attention and exhibition placements.
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