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“Senga Nengudi: Performance Works 1972-1982” at Whitechapel Gallery, London — Mousse Magazine and Publishing
Whitechapel Gallery hosts an archival exhibition of Senga Nengudi's significant performance works from 1972-1982, detailing her practice of animating everyday materials like hosiery into dynamic sculptures that engage with the body and collective action.
Pablo Delano’s “The Museum of the Old Colony”
Pablo Delano’s "The Museum of the Old Colony" presents an immersive pseudo-exhibition, expertly combining archival documentation and evocative artifacts to critically engage with Puerto Rico’s enduring colonial relationship with the United States.
Sharif Bey: Autoethnography at the Alfred Ceramic Art Museum, New York
At the Alfred Ceramic Art Museum, Sharif Bey's "Autoethnography" exhibition traces the artist's intricate cultural dialogue through a diverse array of ceramic works, positioning the individual within a complex tapestry of historical and diasporic influences.
Confronting American Violence, Disaster and Identity With Art — A Historic Montrose Art League Uses Magic Mirrors
Art League Houston assembles three incisive exhibitions confronting Chinese-American identity through optical illusions inspired by Han Dynasty magic mirrors, climate disaster via immersive found-object installations, and American violence depicted in hand-embroidered narratives of mass shootings and migration.
Som Supaparinya: Melted Stars
Som Supaparinya's Berlin debut, 'Melted Stars,' unveils an audiovisual research project confronting Thailand's complex, often repressed, World War II entanglement with Japan's military expansion through Southeast Asia.
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