The Neue Nationalgalerie unveils an expansive exhibition of Constantin Brancusi's pioneering abstract forms and multidisciplinary practice, featuring a reconstruction of his studio, bringing his significant œuvre to Germany after decades.
Yindjibarndi Elder Wendy Hubert’s visceral memories of the Pilbara, interpreted through luminous colour and transported materials, anchor an immersive garden installation and painting exhibition at Lewers: Penrith Regional Gallery for the 25th Biennale of Sydney, embodying the concept of Nyinyart.
Marking his first major survey in decades, John Perceval's extensive exhibition at the Heide Museum of Modern Art meticulously traces his stylistic journey from wartime psychological depths to the luminous gestural depictions of his later career.
Ray Monde's new body of large-scale paper sculptural forms and immersive collages at Maitland Regional Art Gallery navigates the emotional landscape of queer lived experiences within regional Australia, informed by personal narratives and peer collaboration.
Shalabia Ibrahim's 'Fields of memory' at Artbooth Gallery unveils a compelling dialogue between Egyptian and Syrian modernities, articulated through the artist's distinctive command of color and folk aesthetic.
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