Related Articles
Raphael Recut: Tunics, Thought, and Modern Painting at Magazzino Italian Art
Vittoria Chierici’s program at Magazzino Italian Art delves into Raphael’s The School of Athens, connecting its Renaissance precision to contemporary abstraction via drapery, color, and gesture, culminating in a tactile workshop on textile as visual philosophy.
New Solo Show: Passing Through by Olivia Vivanco
In 'Passing Through,' Olivia Vivanco crafts an ethical visual discourse on migration, utilizing environmental traces and abandoned objects as 'deferred portraits' to evoke presence and memory without exposing or simplifying individual experiences.
South Paw: Gerasimos Floratos and Karel Appel at Almine Rech
Almine Rech’s "South Paw" exhibition orchestrates a dialogue between Gerasimos Floratos’ dynamic contemporary canvases and Karel Appel’s rarely exhibited New York-era paintings, highlighting their shared impulse for raw expression and deep engagement with the urban environment.
'1922 Revisited' Live Arts Program Announced for 61st Venice Biennale, Preview Week, 5-9 May 2026
Third Space Art Foundation unveils "1922 Revisited," a live arts program designed to critically re-examine the historical 1922 Venice Biennale exhibition of African sculpture through contemporary African and diasporic performance, film, and critical discourse.
Equatorial Guinea debuts at the Venice Biennale with Paraguayan artist Ingrid Seall and the theme of undergrowth
Equatorial Guinea's maiden pavilion at Palazzo Donà dalle Rose unveils Paraguayan artist Ingrid Seall's Manar, an immersive installation that reinterprets the undergrowth as a profound locus where the conscious and unconscious intertwine, reflecting on humanity's ancestral connection to nature.
Get the HENI News Daily Art Digest delivered to your inbox