Artist and curator Robert Louis Brandon Edwards has clearly taken to heart the truism it is the journey that matters, not the destination.

He has put more than $12,000 of his own money into buying and repairing a 1947 Greyhound bus to convert into a museum on wheels telling the story of the Great Migration - the movement of millions of African-Americans over half a century from the overt racism of the rural South to the great industrial cities of the North.

The bus is currently sitting in a Greyhound Lines terminal in Cleveland, Ohio, which is being transformed into a public performance space.

Edwards told The Cultural Landscape Foundation the idea was inspired by his own grandmother who left Virginia for New York on board a similar bus in 1963.

He said: "The goal is to not restore the bus to its original 1947 condition and freeze it in time but to preserve it as a moving object that we can learn from and use in our everyday lives."

The number of paintings on show at one of America's newest and smallest art museums in the green room at the Philadelphia Academy of Music. The one-room museum in America's oldest surviving opera house is so small visitors have to call ahead to make a reservation.

Peter Doig is one of five recipients of this year's $103,000 Praemium Imperiale Awards announced today in London.

The 66-year-old painter was in good company with Marina Abramović also honored by the Japan Art Association which hands out the awards, which include gold medals presented in Tokyo later in the year.

Belgian dancer and choreographer Anne Teresa De Keersmaeker won the prize in the field of film and theatre while Hungarian-born pianist Andras Schiff was recognized in the music category and Portuguese architect Eduardo Souto De Moura won the architecture prize.

The annual prizes include categories of painting and sculpture - those won by Doig and Abramović respectively - and deliberately cover fields not represented by Nobel Prizes.

Previous winners include David Hockney, Mona Hatoum and Anish Kapoor.

The founder of a new London arts center dedicated to work by global majority artists says she wants it to be "a brave space" rather than a safe space.

Lina Lazaar is creating a physical space for the online platform Ibraaz - which means ‘to shine a light on’ in Arabic - in a 10,000 square foot Grade II listed building at 93 Mortimer Street in central London.

It opens on October 3 with an exhibition, Parliament of Ghosts, by Ghanaian artist Ibrahim Mahama which was previously seen at the 2019 Manchester International Festival and the 2023 Venice Architecture Biennale.

There will also be talks, screenings, music nights and a library, cafe and bookshop.

Lazaar, an art critic whose father Kamel Lazaar was also a philanthropist, said: “At a time when so many are seeking safe spaces, our aim is to go one step further – to build a brave space that offers cultural experiences which not only address the issues of our time but also envision the futures we can create together."

1 - Performance artist Amanda Heng has been chosen to represent Singapore at next year's Venice Biennale. The 73-year-old will work with curator Selene Yap for her presentation.

2 - US artist KAWS is taking over the 250-acre New York Botanical Garden in Spring 2027. A statement issued by the Bronx-based institution said it would be a "garden-wide takeover featuring large-scale sculptures and installations by the internationally renowned artist".

3 - White Cube and Thaddaeus Ropac are presenting a two-part show by UK artist Antony Gormley at Seoul Fort Hill to coincide with the city hosting Frieze. The show, from September 2 to November 8, is his first solo show in the South Korean capital.