Has any recent show been better named than the one currently running at New York's Shirley Fiterman Art Center?

Susan Weil: About Time features more than 50 works by the 95-year-old in her first institutional solo show in the city.

It tracks her career back to 1949 with experimental and traditional works on paper and canvas.

Weil studied at the historic Black Mountain College in North Carolina where she worked alongside Robert Rauschenberg whom she married in 1950 before they divorced three years later.

Together they made Blueprints, a pioneering series combining performance and photography and featuring life-size images of the human figure, often Weil’s own body, created directly onto light-sensitive paper.

The show runs to August 9.

The disputed number of phalluses - mostly on horses but five on soldiers - in the Bayeaux Tapestry. Historians disagree on the exact number with some saying the 94th is actually a scabbard but British Museum visitors can make up their own minds next year when the historic work goes on show in London on loan from France.

Shamim Momin is taking over at the Bronx Museum and will steer it through the last months of its multi-million dollar rebuild.

The native New Yorker, who previously worked at Seattle's Henry Art Gallery, takes over from Klaudio Rodriguez as director and chief curator.

She starts work in September with the museum's $42.9 million expansion expected to be finished around 12 months after that with the plans set to give the museum another 5,000 square feet of exhibition space.

Campaigners including former UK Prime Minister Liz Truss and historian David Starkey are among reported signatories to a letter accusing the British Museum of indulging in "covert negotiation" to return the Parthenon Marbles to Greece.

In the letter seen by Sky News, the signatories say the museum is "accelerating" its campaign to hand back the controversial sculptures and call for an immediate halt to negotiations, saying they may seek legal advice on how to stop them.

The marbles once decorated the temple on the Acropolis in Athens, but were removed by Lord Elgin in the early 19th century and acquired by the museum in London in 1816.

Their rightful ownership has been disputed for decades but negotiations have been going on for several years between the Greek authorities and the museum, a process led by George Osborne, who is the chair of the museum, a former Conservative politician and ex-Cabinet colleague of Truss.

Art historian and former National Portrait Gallery chief Nicholas Cullinan was named the new director of the museum last year.

The Zayed National Museum opens its doors in December - 15 years after plans for the United Arab Emirates institution were first announced.

The building, designed by architect Norman Foster and built on Abu Dhabi's Saadiyat Island, has six galleries across two floors with artifacts expected to include the Abu Dhabi Pearl, one of the world’s oldest natural pearls, and the Blue Qur’an, one of Islamic art’s finest manuscripts.

In 2018, the British Museum renewed its partnership with the institution, leaving the door open to prestigious loans in the future. Early in the project mooted loans included several Assyrian panels from the Palace of Nimrud.

The five steel structures rising up from the building are inspired by the wing of a falcon in flight.

1 - Oscar-winning filmmaker Alejandro Inarritu will stage a "multi-sensory" exhibition at Milan's Fondazione Prada. The show, which runs from September 18 to February 26, marks the 25th anniversary of his debut film Amores Perros.

2 - Given the recent damage caused to one of its paintings by a careless visitor, you might be forgiven for thinking Florence's Uffizi Gallery would lock away its treasures but quite the reverse. It has just unveiled a display of more than 50 Roman busts that have been kept in storage since 1993.

3 - Almost 5,000 people have signed a petition to stop Italian artist Luigi Serafini being evicted from his home studio in Rome. The artist, best known for creating the Codex Seraphinianus, an illustrated encyclopedia of an imaginary world, has spent just short of four decades making the house a work of art in itself. Earlier this year more than 1,000 people visited during an open weekend.