The title of this year's Venice Biennale might be In Minor Keys but there is nothing minor about the constant wave of controversy threatening to overshadow it.
With two months to go before it opens, there is no shortage of scandal. From Serbia, where hundreds of people signed a petition protesting the selection of Predrag Dakovic as the country's representative, to South Africa where the choice of Gabrielle Goliath ended up in court as she was summarily deselected by culture minister Gayton McKenzie.
Just today it was reported Luxembourg's culture minister Eric Thill has been criticized by opposition politicians over the $626,518 budget for his country's pavilion which includes a film by Aline Bouvy called Merde featuring an anthropomorphic excrement figure.
But the biggest cloud on the horizon lies with the Russian entry which marks the country's return to the event for first time since the invasion of Ukraine.
It prompted a very undiplomatic statement from the European Union which threatened to withdraw its funding for the biennale foundation over the decision.
It said Russian participation was "not compatible with the EU’s collective response to Russia’s brutal aggression" and further action could include "the suspension or termination of ongoing EU funding" to the event.
Italy's culture minister Alessandro Giuli said the government disagreed with the biennale's decision but said it was "entirely autonomous".
Its organizers have yet to respond directly, though its president Pietrangelo Buttafuoco said it should be "a space of coexistence for the whole planet".