Hans (Jean) Arp wasn’t so hot on paperwork. Exasperated, his New York-based dealer Curt Valentin once wrote to the Dada co-founder, “Dear Arpshole... The fact that you have not received your money... is down to your own revolting slovenliness.”
That was in 1951, when Valentin was working hard to build Arp’s reputation in the US and receiving little thanks for his efforts.
In the fall, Arp makes a New York comeback some 15 years after the last solo show of work by the German-French artist in the city. Arp: Heads or Tails opens at Hauser & Wirth on September 10 and will feature early biomorphic cut-outs and reliefs alongside late works.
It is a collaboration with the Arp Foundation based in Germany. It has also worked hard to restore his market, which was beset with problems caused by posthumous editions that were not tightly controlled.
Arp’s auction ceiling remains modest: Déméter holds his record at $5.83m, achieved at Christie’s in 2018. Henry Moore, by contrast, commands nearly six times more, with a $33m auction high.