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Theo van Rysselberghe Leads Sotheby's $29.98m 'Modern & Contemporary Day Auction' in London

3 min read  ·  07 Mar 2024

À l'ombre des pins (Agay) or Sous les pins (Agay) by Theo van Rysselberghe sold for $1.76m.
Image courtesy of Sotheby's

À l'ombre des pins (Agay) or Sous les pins (Agay) by Theo van Rysselberghe sold for $1.76m. Image courtesy of Sotheby's

A work by Theo van Rysselberghe was the headline sale at Sotheby's 'Modern & Contemporary Day Auction' on March 7 in London.

  • The sale totaled $29.98m, meeting the pre-sale estimate.

Snapshot of the sale

  • 163 works sold totaling $29.98m.
  • Estimates totaled: $24.97m (low) and $35.84m (high), excluding premiums.
  • The sell-through rate was 79% of the original 207 lots announced.

The star lot was: Theo van Rysselberghe, À l'ombre des pins (Agay) or Sous les pins (Agay) (1905), which sold for $1.76m, 175% above its $633,400 low estimate. It has been traded 12 times in the past.

The outperformer sold for 1000% above its low estimate. Hannah Hoch, *Three Forms - I * (1952), sold for $71,200 ($6,334 low estimate). It has been traded twice in the past.

Breakdown of results against auction house estimates that are disclosed

Breakdown of results against auction house estimates that are disclosed

  • 82 works, or 50%, sold above their high estimate.
  • 69 works, or 42%, sold within their low and high estimate.
  • 12 works, or 7%, sold below their low estimate.
  • 0 sold with undisclosed estimates.

Guaranteed sales

5 works were backed by guarantees, including: Frank Auerbach, Head of J.Y.M. (1986). It sold for $647,000, 27% above its $508,800 low estimate..

Works that did not sell

40 works were bought-in, including: Camille Pissarro, Paysage avec meules, Osny (1883), estimated at $633,400 (low) to $886,700 (high). It has been traded 10 times in the past.

Withdrawn before the sale

4 works were withdrawn before the sale, including: Lucio Fontana, Concetto Spaziale (1964) estimated at $190,000 (low) to $253,400 (high).

Terms and definitions

All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.

Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.

Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.

Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.

Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.