3 min read · 10 Oct 2026





Overlooking the Valley by Edward Redfield sold for $320,000. Image courtesy of Sotheby's
A work by Edward Redfield was the headline sale at Sotheby's 'Modern Discoveries' auction on October 1-9 in New York.
The star lot was: Edward Redfield, Overlooking the Valley (1918), which sold for $320,000, 113% above its $150,000 low estimate. It has been traded 3 times in the past.
The outperformer sold for 582% above its low estimate. Hilla von Rebay, Untitled (HRP025) (1945), sold for $204,800 ($30,000 low estimate). It has been traded twice in the past.
1 work was backed by a guarantee: Maria Martins, Sem título (1945). It sold for $19,200, 540% above its $3,000 low estimate. It has not been traded before.
16 works were bought-in, including: In The Style Of Leonora Carrington, Sueño de sirenas (Bocetos) (1960), estimated at $50,000 (low) to $70,000 (high). It has been traded twice in the past.
2 works were withdrawn before the sale, including: Hans Arp, L'Oiseau caravelle, 1965 (1976), estimated at $80,000 (low) to $120,000 (high).
All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.
Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.
Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.
Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.
Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.
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