Phillips Modern & Contemporary Morning Session Totals $17.28m

Phillips Modern & Contemporary Morning Session Totals $17.28m

3 min read  ·  21 May 2026

Summer Day (Sommerdag) by Harald Slott-moller sold for $1.29m. Image courtesy of Phillips
Small Wall Explosion by Roy Lichtenstein sold for $645,000. Image courtesy of Phillips
Climb (Urban Bourbon) by Robert Rauschenberg sold for $619,200. Image courtesy of Phillips
LOVE (1966) by Robert Indiana sold for $580,500. Image courtesy of Phillips
The Little Mermaid (Den lille havfrue) (1910-1913) by Edvard Eriksen sold for $541,800. Image courtesy of Phillips

Summer Day (Sommerdag) by Harald Slott-moller sold for $1.29m. Image courtesy of Phillips

A work by Harald Slott-Moller was the headline sale at Phillips 'Modern & Contemporary Art: Morning Session' auction on May 21 in New York.

  • The sale totaled $17.28m, meeting the pre-sale estimate.

Snapshot of the sale

  • 129 works sold totaling $17.28m.
  • Estimates totaled: $11.97m (low) and $17.51m (high), excluding premiums.
  • The sell-through rate was 90% of the original 144 lots announced.

The star lot was: Harald Slott-moller, Summer Day (Sommerdag) (1888), which sold for $1.29m, 4200% above its $30,000 low estimate. It has been traded twice in the past.

The outperformer sold for 4415% above its low estimate. Edvard Eriksen, The Little Mermaid (Den lille havfrue) (1910-1913) (Undated), sold for $541,800 ($12,000 low estimate). It has been traded once in the past.

  • 77 works, or 60%, sold above their high estimate.
  • 40 works, or 31%, sold within their low and high estimate.
  • 12 works, or 9%, sold below their low estimate.
  • 0 sold with undisclosed estimates.

Artist records

Harald Slott-Moller, Summer Day (Sommerdag) (1888) sold for $1.29m, beating the artist’s previous auction record by $1.21m, a 1500% rise.

Edvard Eriksen, The Little Mermaid (Den lille havfrue) (1910-13) (Undated) sold for $541,800, beating the artist’s previous auction record by $419,400, a 325% rise.

Guaranteed sales

2 works were backed by guarantees, including: Hans Hofmann, The Great Interieum (1951). It sold for $361,200, 9% below its $400,000 low estimate.. It has been traded 3 times in the past.

Works that did not sell

14 works were bought-in, including: John Chamberlain, Lucy Snaggletooth (1976), estimated at $400,000 (low) to $600,000 (high). It has been traded 10 times in the past.

Withdrawn before the sale

1 work was withdrawn before the sale: Pierre Bonnard, La fin du repas (1907), estimated at $650,000 (low) to $850,000 (high).

Terms and definitions

All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.

Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.

Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.

Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.

Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.


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