Sigmar Polke Leads Phillips $10m Modern & Contemporary Day Sale, Afternoon Session

Sigmar Polke Leads Phillips $10m Modern & Contemporary Day Sale, Afternoon Session

3 min read  ·  21 Nov 2025

Untitled by Sigmar Polke sold for $612,700.
Image courtesy of Phillips

Untitled by Sigmar Polke sold for $612,700. Image courtesy of Phillips

A work by Sigmar Polke was the headline sale at Phillips 'Modern & Contemporary Art Day Sale, Afternoon Session' on November 21 in New York.

  • The sale totaled $10.01m, meeting the pre-sale estimate.

Snapshot of the sale

  • 93 works sold totaling $10.01m.
  • Estimates totaled: $7.99m (low) and $11.46m (high), excluding premiums.
  • The sell-through rate was 82% of the original 113 lots announced.

The star lot was: Sigmar Polke, Untitled (2000), which sold for $612,700, 22% above its $500,000 low estimate. It has been traded 5 times in the past.

The outperformer sold for 631% above its low estimate. Edmund de Waal, The rest of the way to Egypt (2011), sold for $219,300 ($30,000 low estimate). It has been traded once in the past.

Breakdown of results against auction house estimates that are disclosed

Breakdown of results against auction house estimates that are disclosed

  • 49 works, or 53%, sold above their high estimate.
  • 35 works, or 38%, sold within their low and high estimate.
  • 8 works, or 9%, sold below their low estimate.
  • 1 sold with undisclosed estimates.

Guaranteed sales

1 work was backed by a guarantee: George Condo, Untitled (1998). It sold for $374,100, 49% above its $250,000 low estimate. It has not been traded before.

Works that did not sell

18 works were bought-in, including: Jonas Wood, GG London NPP #1 (2017), estimated at $300,000 (low) to $400,000 (high). It has been traded once in the past.

Withdrawn before the sale

2 works were withdrawn before the sale, including: Thomas Houseago, STANDING FIGURE I (2014) estimated at $50,000 (low) to $70,000 (high).

Terms and definitions

All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.

Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.

Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.

Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.

Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.


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