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Joan Mitchell Leads Sotheby's $81.66m 'Contemporary Day Auction' in New York

3 min read  ·  21 Nov 2023

Untitled by Joan Mitchell sold for $3.81m.
Image courtesy of Sotheby's

Untitled by Joan Mitchell sold for $3.81m. Image courtesy of Sotheby's

A work by Joan Mitchell, which had a guarantee, was the headline sale at Sotheby's 'Contemporary Day Auction' on November 16 in New York.

  • The sale totaled $81.66m, meeting the pre-sale estimate.

Snapshot of the sale

  • 262 works sold totaling $81.66m.
  • Estimates totaled: $73.23m (low) and $105.8m (high), excluding premiums.
  • The sell-through rate was 78% of the original 335 lots announced.

The star lot was: Joan Mitchell, Untitled (1960), which sold for $3.81m, 36% above its $2.8m low estimate. The work was backed by a guarantee. It has been traded 3 times in the past.

The outperformer sold for 1100% above its low estimate. Pam Evelyn, Assisted Step (2021), sold for $127,000 ($10,000 low estimate). It has been traded twice in the past.

A talking point was Jaune Quick-To-See Smith, Sawmill (1987), which sold for $571,500, 600% above its $80,000 low estimate. The work has been traded twice in the past.

Breakdown of results against auction house estimates that are disclosed

Breakdown of results against auction house estimates that are disclosed

  • 128 works, or 49%, sold above their high estimate.
  • 87 works, or 33%, sold within their low and high estimate.
  • 47 works, or 18%, sold below their low estimate.
  • 0 sold with undisclosed estimates.

Guaranteed sales

72 works were backed by guarantees, including: Joan Mitchell, Untitled (1960), which sold for $3.81m.

Works that did not sell

57 works were bought-in, including: Yayoi Kusama, Death of an Illusion (2001), estimated at $1.2m (low) to $1.8m (high). It has been traded once in the past.

Withdrawn before the sale

15 works were withdrawn before the sale, including: Jonas Wood, Mickey and Minnie Mouse Frimkess Pot (2018) estimated at $1m (low) to $1.5m (high).

Terms and definitions

All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.

Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.

Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.

Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.

Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.