3 min read · 21 Nov 2023
Untitled by Joan Mitchell sold for $3.81m. Image courtesy of Sotheby's
A work by Joan Mitchell, which had a guarantee, was the headline sale at Sotheby's 'Contemporary Day Auction' on November 16 in New York.
The star lot was: Joan Mitchell, Untitled (1960), which sold for $3.81m, 36% above its $2.8m low estimate. The work was backed by a guarantee. It has been traded 3 times in the past.
The outperformer sold for 1100% above its low estimate. Pam Evelyn, Assisted Step (2021), sold for $127,000 ($10,000 low estimate). It has been traded twice in the past.
A talking point was Jaune Quick-To-See Smith, Sawmill (1987), which sold for $571,500, 600% above its $80,000 low estimate. The work has been traded twice in the past.
Breakdown of results against auction house estimates that are disclosed
72 works were backed by guarantees, including: Joan Mitchell, Untitled (1960), which sold for $3.81m.
57 works were bought-in, including: Yayoi Kusama, Death of an Illusion (2001), estimated at $1.2m (low) to $1.8m (high). It has been traded once in the past.
15 works were withdrawn before the sale, including: Jonas Wood, Mickey and Minnie Mouse Frimkess Pot (2018) estimated at $1m (low) to $1.5m (high).
All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.
Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.
Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.
Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.
Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.