Joan Mitchell Leads Christie's $34.96m 'Post-War to Present' Auction in New York

Joan Mitchell Leads Christie's $34.96m 'Post-War to Present' Auction in New York

3 min read  ·  01 Oct 2025

Peinture II by Joan Mitchell sold for $2.76m.
Image courtesy of Christie's

Peinture II by Joan Mitchell sold for $2.76m. Image courtesy of Christie's

A work by Joan Mitchell was the headline sale at Christie's 'Post-War to Present' auction on September 30 in New York.

  • The sale totaled $34.96m, meeting the pre-sale estimate.

Snapshot of the sale

  • 223 works sold totaling $34.96m.
  • Estimates totaled: $29.41m (low) and $43.11m (high), excluding premiums.
  • The sell-through rate was 75% of the original 296 lots announced.

The star lot was: Joan Mitchell, Peinture II (1964), which sold for $2.76m, 10% above its $2.5m low estimate. It has been traded once in the past.

The outperformer sold for 1328% above its low estimate. Isamu Noguchi, Untitled, costume design for "King Lear," dir. George Devine (1955), sold for $11,400 ($800 low estimate). The work was backed by a guarantee. It has been traded once in the past.

Breakdown of results against auction house estimates that are disclosed

Breakdown of results against auction house estimates that are disclosed

  • 112 works, or 50%, sold above their high estimate.
  • 82 works, or 37%, sold within their low and high estimate.
  • 29 works, or 13%, sold below their low estimate.
  • 0 sold with undisclosed estimates.

Guaranteed sales

15 works were backed by guarantees, including: Tomas Saraceno, Stellar (2009). It sold for $63,500, 27% above its $50,000 low estimate.. It has been traded once in the past.

Works that did not sell

72 works were bought-in, including: Richard Serra, Tracks #1 (2007), estimated at $300,000 (low) to $500,000 (high). It has been traded twice in the past.

Withdrawn before the sale

1 work was withdrawn before the sale: Etel Adnan, Untitled (2014) estimated at $80,000 (low) to $120,000 (high).

Terms and definitions

All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.

Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.

Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.

Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.

Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.


background
heni art news

Get the HENI News Daily Art Digest delivered to your inbox

You'll also receive occasional updates about HENI. See our Privacy Policy.