Mark Tansey Leads Christie's $66.53m 'Post-War and Contemporary Art Day Sale' in New York

Mark Tansey Leads Christie's $66.53m 'Post-War and Contemporary Art Day Sale' in New York

3 min read  ·  15 May 2025

Study for "The Enunciation" by Mark Tansey sold for $3.2m.
Image courtesy of Christie's

Study for "The Enunciation" by Mark Tansey sold for $3.2m. Image courtesy of Christie's

A work by Mark Tansey was the headline sale at Christie's 'Post-War and Contemporary Art Day Sale' on May 15 in New York.

  • The sale totaled $66.53m, meeting the pre-sale estimate.

Snapshot of the sale

  • 203 works sold totaling $66.53m.
  • Estimates totaled: $56.14m (low) and $81.15m (high), excluding premiums.
  • The sell-through rate was 83% of the original 246 lots announced.

The star lot was: Mark Tansey, Study for "The Enunciation" (1992), which sold for $3.2m, 965% above its $300,000 low estimate. It has been traded once in the past.

The outperformer sold for 1789% above its low estimate. Darrel Austin, Night Ride (1973), sold for $18,900 ($1,000 low estimate). It has been traded once in the past.

Breakdown of results against auction house estimates that are disclosed

Breakdown of results against auction house estimates that are disclosed

  • 102 works, or 50%, sold above their high estimate.
  • 88 works, or 43%, sold within their low and high estimate.
  • 13 works, or 6%, sold below their low estimate.
  • 0 sold with undisclosed estimates.

Guaranteed sales

50 works were backed by guarantees, including: Joan Mitchell, Petit Matin (1982). It sold for $3.08m, 9% above its $2.8m low estimate.. It has not been traded before.

Works that did not sell

30 works were bought-in, including: Ed Ruscha, Bowling Ball, Olive (1969), estimated at $1.2m (low) to $1.8m (high). It has been traded once in the past.

Withdrawn before the sale

13 works were withdrawn before the sale, including: Frank Stella, BAFQ (1965) estimated at $2m (low) to $3m (high).

Terms and definitions

All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.

Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.

Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.

Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.

Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.


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