3 min read · 15 May 2025

Study for "The Enunciation" by Mark Tansey sold for $3.2m. Image courtesy of Christie's
A work by Mark Tansey was the headline sale at Christie's 'Post-War and Contemporary Art Day Sale' on May 15 in New York.


The star lot was: Mark Tansey, Study for "The Enunciation" (1992), which sold for $3.2m, 965% above its $300,000 low estimate. It has been traded once in the past.

The outperformer sold for 1789% above its low estimate. Darrel Austin, Night Ride (1973), sold for $18,900 ($1,000 low estimate). It has been traded once in the past.

Breakdown of results against auction house estimates that are disclosed
50 works were backed by guarantees, including: Joan Mitchell, Petit Matin (1982). It sold for $3.08m, 9% above its $2.8m low estimate.. It has not been traded before.
30 works were bought-in, including: Ed Ruscha, Bowling Ball, Olive (1969), estimated at $1.2m (low) to $1.8m (high). It has been traded once in the past.
13 works were withdrawn before the sale, including: Frank Stella, BAFQ (1965) estimated at $2m (low) to $3m (high).
All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.
Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.
Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.
Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.
Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.
Get the HENI News Daily Art Digest delivered to your inbox