3 min read · 23 Oct 2025

The Family of Man (Figure 8, The Bride) by Barbara Hepworth sold for $5.3m. Image courtesy of Christie's
A work by Barbara Hepworth was the headline sale at Christie's 'Modern British and Irish Art Evening Sale' on October 22 in London.


The star lot was: Barbara Hepworth, The Family of Man (Figure 8, The Bride) (1970), which sold for $5.3m, 31% above its $4.02m low estimate. It has been traded once in the past.

The outperformer sold for 255% above its low estimate. Paul Nash, Cloud and Two Stones (1934), sold for $476,600 ($134,100 low estimate). It has not been traded before.

Breakdown of results against auction house estimates that are disclosed
1 work was backed by a guarantee: Bridget Riley, Dendera (1983). It sold for $1.69m, 25% above its $1.34m low estimate. It has been traded once in the past.
6 works were bought-in, including: Lynn Chadwick, Beast Alerted I (1990), estimated at $670,500 (low) to $1.07m (high). It has not been traded before.
1 work was withdrawn before the sale: L.S. Lowry, Going to the Match (1928) estimated at $2.68m (low) to $4.02m (high).
All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Estimates, sale prices and totals are converted into US dollars. Sale prices are compared to the auction house’s low estimate, which do not include premiums.
Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.
Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.
Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.
Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.
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