In Brian Clarke’s stained glass folding screen ‘Manhattan’ (G2-20, 2018), the iconic image of a mushroom cloud is replicated across the twelve sections. This motif is interpreted by Clarke through the lens of Pop Art, displaying twelve identical yet differently coloured mushroom clouds in a way that instantly recalls Warhol’s use of repetition. The bright clouds, variously stained in reds, pinks, blues and oranges, radiate a sense of exuberance and dynamism that starkly clashes with their ominous connotations, an incongruence emphasised by the screen’s intriguing title.