Frida Kahlo: The Elephant and the Dove (Part 2)
How did Frida Kahlo manage to emerge from the shadow of her husband, the artist Diego Rivera? And how did a dog with a sock in its mouth lead to the discovery of an affair? Join Alastair and James in the second of three episodes about the Mexican artist Frida Kahlo, as they explore her tumultuous life in the 1930s and the development of her singular style of art.
Artworks in this episode include:
Frida Kahlo, Frieda and Diego Rivera, 1931, San Francisco Museum of Modern Art, San Francisco Frida Kahlo, Henry Ford Hospital, 1932, Dolores Olmedo Museum, Xochimilco, Mexico City Frida Kahlo, My Birth, 1932, Dolores Olmedo Museum, Xochimilco, Mexico City Frida Kahlo, A Few Small Nips, 1935 Dolores Olmedo Museum, Xochimilco, Mexico City Frida Kahlo, The Two Fridas, 1939, Museo de Arte Moderno, Mexico City
Dr James Fox is a Cambridge art historian, bestselling author and multi award-winning broadcaster. He is Director of Studies in History of Art at Emmanuel College, Cambridge, and Creative Director of the Hugo Burge Foundation. His critically-acclaimed books on art and culture have been translated into fourteen languages. His most recent title and best-seller Craftland: a journey through Britain’s Lost Arts and Vanishing Trades (2025) has been named Waterstones Book of the Year, BBC’s book of the week and shortlisted for the Nero Book Prize. James is perhaps best known for his many arts documentaries for the BBC, including A History of Art in Three Colours, The Art of Japanese Life The Age of the Image and Nature and Us: a history through Art
Alastair Sooke is an author and broadcaster, and chief art critic at The Telegraph, for which he has been covering art since 2003. He has presented more than 60 hours of television and radio for the BBC (Modern Masters, Treasures of Ancient Egypt, An Art Lovers’ Guide) and written several books, including studies of Henri Matisse and Georges Seurat, and a history of Pop art. He is a trustee of The Ampersand Foundation and was educated at the University of Oxford and the Courtauld Institute of Art.
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