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Cable Street Mural
The Cable Street Mural is a stunning and monumental piece of public art located in East London, commemorating the Battle of Cable Street (1936), a historic moment when local residents, trade unionists, and anti-fascists came together to block a march by the British Union of Fascists.
Dr Rafael Schacter tells the stories of defiance and unity through the bold colours and dramatic scenes of the mural and its creation, led by artist Dave Binnington, and later completed by a team of artists after facing vandalism and delays.
Time Period:
20th century
Dr Rafael Schacter is an anthropologist and curator working on both public and global art. An Associate Professor in the Department of Anthropology, University College London, Schacter received his PhD in the department in 2011 and was a British Academy Postdoctoral Fellow at the same institution from 2014-2017. He currently heads the world leading Material Culture section within the department. For his most recent academic CV please click here.
Schacter has recently completed his fourth book, Monumental Graffiti, which will be published by MIT Press in October 2024. He previously published Street to Studio with Lund Humphries in 2018; Ornament and Order: Graffiti, Street Art and the Parergon with Routledge in 2014; and the award-winning World Atlas of Street Art and Graffiti with Yale University Press in 2013. Alongside his books, you can also find a range of academic articles, book chapters, artist essays, and other assorted writings on this website.
Schacter also has a wide-ranging curatorial output. Amongst other global projects, Schacter curated the Walking Tour at the Tate Modern’s Street Art exhibition in 2008, Futurismo Ancestral, Mapping the City and Venturing Beyond at Somerset House in 2014, 2015, and 2016 respectively, and Silver Sehnsucht in London’s Docklands in 2017. His most recent project, Motions of this Kind, took place at the Brunei Gallery, SOAS, from April 11 – June 22 2019. He also recently completed a four-year public art project in Heerlen, the Netherlands, entitled Regrowth Degrowth.
Together with his academic teaching at UCL - in which Public Art and the Anthropology of Art are his specialities - Schacter has given keynote lectures at institutions such as The Hermitage Museum in St Petersburg, the Tate Modern in London, Green Papaya in Manila, The Frei University, and the Genshagen Foundation in Berlin. He has been interviewed for BBC News, the BBC World Service, BBC Radio 4, BBC London Radio, and his work discussed in the New York Times, the Washington Post, the Boston Globe, the Guardian, Reuters, the Huffington Post, and numerous other global press outlets.
Schacter also acts as a consultant for numerous projects, working on creative direction, curatorial guidance, and general art / anthropological related advice. He has and continues to undertake this for organisations such as the Barbican, Somerset House, .ART, Diageo, and M.C.Overalls, amongst many others.
In a previous life, Schacter was one half of the production and DJ duo Ill Logic & Raf. Producing Jungle / Drum & Bass for some of the most acclaimed record labels of the genre (Metalheadz Platinum, Bingo Beats, 31 Records, Ebony, Liquid V, Emotif), as well as DJing internationally and on pirate radio (most notably appearing weekly on Rinse FM from 1999-2005), this immersion in the London underground music scene has remained a key influence on all Schacter’s latter creative projects.
04:28
Claes Oldenburg's Bottle of Notes
Elinor Morgan guides us through a famous public sculpture created by Claes Oldenburg and Coosje van Bruggen in Middlesbrough, UK. This whimsical piece, installed in 1993, stands as a striking example of their playful and thought-provoking art. The sculpture resembles a giant, partially unrolled bottle with swirling, calligraphic text inscribed along its surface. The text is taken from the notebooks of the explorer Captain James Cook, who was born near Middlesbrough, tying the sculpture to the local history and its maritime heritage. The piece invites viewers to reflect on themes of exploration, creativity, and the interplay between everyday objects and artistic imagination.
05:51
The Hidden Mosaic
Art historian Dr George Bartlett, discovers the hidden Shepherdess Walk Mosaics tucked away from the bustling streets of London. When you arrive at Shepherdess Walk, you are met with three wall panels and two floor mosaics, with the colours, style, materials, and themes, reminiscent of the style commonly used in Roman Britain. The medium of mosaics around since the ancient Roman world, are shown to still be capable of harmonising with an ancient tradition to create something approachable in a space for everyone.
11:00
Jeremy Deller: 'It is what it is.'
Artist Jeremy Deller examines the art of war and how his own works serve as a kind of 'public inquiry' into the nature of conflict.
04:28
Elinor Morgan guides us through a famous public sculpture created by Claes Oldenburg and Coosje van Bruggen in Middlesbrough, UK. This whimsical piece, installed in 1993, stands as a striking example of their playful and thought-provoking art. The sculpture resembles a giant, partially unrolled bottle with swirling, calligraphic text inscribed along its surface. The text is taken from the notebooks of the explorer Captain James Cook, who was born near Middlesbrough, tying the sculpture to the local history and its maritime heritage. The piece invites viewers to reflect on themes of exploration, creativity, and the interplay between everyday objects and artistic imagination.
05:51
Art historian Dr George Bartlett, discovers the hidden Shepherdess Walk Mosaics tucked away from the bustling streets of London. When you arrive at Shepherdess Walk, you are met with three wall panels and two floor mosaics, with the colours, style, materials, and themes, reminiscent of the style commonly used in Roman Britain. The medium of mosaics around since the ancient Roman world, are shown to still be capable of harmonising with an ancient tradition to create something approachable in a space for everyone.
11:00
Artist Jeremy Deller examines the art of war and how his own works serve as a kind of 'public inquiry' into the nature of conflict.
7:33
Discover how William Hogarth's work with the Foundling Hospital laid the foundations for the contemporary British art scene.
6:07
Architect Lina Ghotmeh discusses, shares, and reveals the inspiration, the structure, and design of the 22nd Serpentine Pavilion.
13:12
The male gaze, misogyny, porn. Rachel Maclean discusses issues surrounding female identity in the history of art as tackled in her film ‘Make Me Up’.