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Since 2008, Biennale Gherdëina—originally a fringe event of MANIFESTA 7, founded by Doris Ghetta in Ortisei and inspired by the ethos of the nomadic biennial—has steadily grown into its own.
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The conceit of The World Made Wondrous: The Dutch Collectors Cabinet and the Politics of Possession at the Los Angeles County Museum of Art was that the collection on view belonged to a fictional seventeenth-century Dutch merchant, implicitly positioned as the embodiment of colo...
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I first encountered the photography of Jamie Maxtone-Graham in 2019 when I came across his series “State Of Youth” from 2007.
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