Théo Viardin's "Orphaned" at Galerie Kandlhofer delves into the profound anxieties of the Anthropocene and painting's inherited memory, manifesting as a complex dialogue between spiritual legacies and urgent material reconfigurations within its eleven oil paintings.
Commissioned by a forward-thinking industrialist for the Freia chocolate factory cafeteria, Edvard Munch's 'Freia Frieze' emerges from its century-long industrial context to be exhibited, revealing insights into art, labor, and gender in interwar Norway.
Curated by Cristina Vives, Belkis Ayón's retrospective at the Reina Sofía unveils over fifty collographs, exploring her unique artistic language derived from a postmodern reinterpretation of Afro-Cuban Abakuá mythology to confront pressing existential and social concerns.
Bellas Artes presents a comprehensive exhibition of León Ferrari's work from 1960-2011, charting his profound artistic engagement with religious critique, political oppression, and societal irrationality, significantly coinciding with the 40th anniversary of Argentina's return to democracy.
At the Fornasetti Milan showroom, Barnaba Fornasetti articulates how the house's distinctive design language, characterized by a playful blurring of reality and imagination through trompe l'oeil and an archive of enigmatic figures, is meticulously curated and expanded to uphold its enduring surrealist legacy.
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