At PACE gallery, Arlene Shechet's latest works challenge sculptural conventions, inviting viewer engagement through the visible narratives of material transformation and a deliberate embrace of ambiguity.
Mala Iqbal's urban canvases illuminate the often-artificial communal environments we inhabit, constructing reality through layered figures and veiled encounters that reflect the mediated gaze of contemporary existence.
In Bologna, a discerning exhibition at Palazzo Pallavicini reimagines 19th-century European art, presenting over one hundred works, including those by Monet and Renoir, through an immersive sensory journey ordered by the day's progression rather than traditional chronology.
Presenting 'Collected Works 2016–2026,' Jonatan Leandoer Håstad unveils a significant body of his previously unexhibited visual art—encompassing painting, sculpture, and site-specific installations—within Norra Bangården's industrial confines, asserting a distinct identity beyond his musical oeuvre.
In the Canary Islands, the exhibition “Whilst We Are Savages” at TEA Tenerife Espacio de las Artes dissects the enduring legacy of colonial modernity's constructed identities, bridging Europe, Africa, and Latin America through a critical examination of territory and alterity.
Get the HENI News Daily Art Digest delivered to your inbox