Harmonia Rosales's new paintings for "Beginnings: The Story of Creation in the Middle Ages" at The Getty deftly merge Renaissance techniques and Yoruba cosmology, reinterpreting medieval illuminated manuscripts by placing Black women at the heart of classical narratives.
Illuminating the substance binding South Asia and the Gulf, the collateral exhibition "Like Gold" at the Kochi-Muziris Biennale deconstructs the intricate social, economic, and human dimensions of the precious metal beyond its mere monetary value.
Furthering its "Artist Meets Artisans" program, Cartier presents Beatriz Milhazes's "Aquarium," an intricate eight-foot suspended mobile fashioned from the Maison's precious stones, injecting her signature vibrant aesthetic into the Boston boutique until May 17th.
John Hoyland, 22.8.73 (1973), sold for $41,800, more than three times the low estimate at Chiswick Auctions. Acrylic on canvas, 91.5 x 91.5cm. The work has not been traded before.
At The CAMP Gallery, "Under the Red Tent" manifests as a profound immersive installation, where over twenty women artists, through Red Thread Art Studio Miami, collectively reclaim textile practices to forge an evolving, participatory sanctuary of shared narratives and intergenerational exchange.
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