3 min read · 19 Apr 2024
White Horse by Thomas Hart Benton sold for $2.23m. Image courtesy of Christie's
A work by Thomas Hart Benton was the headline sale at Christie's 'Modern American Art' auction on April 18 in New York.
The star lot was: Thomas Hart Benton, White Horse (1955), which sold for $2.23m, 48% above its $1.5m low estimate. It has been traded 3 times in the past.
The outperformer sold for 1100% above its low estimate. Rolph Scarlett, White Triangle (Undated), sold for $88,200 ($7,000 low estimate).
Florine Stettheimer, Tulips Under a Canopy (1925) sold for $1.03m, 500% above the low estimate, an auction record for the artist. The oil on canvas work has been traded twice in the past.
Breakdown of results against auction house estimates that are disclosed
3 works were backed by guarantees, including: LeRoy Neiman, Council of War (1962). It sold for $27,700, 175% above its $10,000 low estimate.. It has been traded twice in the past.
19 works were bought-in, including: Milton Avery, Female Painter (1945), estimated at $1.5m (low) to $2.5m (high). It has been traded 4 times in the past.
0 works were withdrawn
All results include the fees and premiums added to the price of a work of art when the auctioneer's hammer falls. Sale prices are compared to the auction house’s low estimate, which do not include premiums.
Guarantees: Sometimes an auction house guarantees to pay a seller for a work, regardless of whether the bidding reaches the reserve price, a figure that is typically confidential.
Bought-in: If there are no bids for a work, or if bidding falls short of the reserve price, the lot is unsold or “bought-in”.
Withdrawn: This happens when a seller decides, for whatever reason, to withdraw a work before the bidding begins.
Premiums: Typically a sliding-scale of charges paid in addition to the hammer price by the buyer, plus any other fees.