“It’s a surface that moves”, said Damien Hirst of his spot motif, a sentiment that evokes the energy of the facsimile print ‘Claridges’ from his ‘Colour Space’ (H5, 2018) series. Named for the luxurious London hotel, ‘Claridges’ is derived from an original painting belonging to the 2016 ‘Colour Space’ series. These works undo the pristine spots strictly allocated into grids in Hirst’s ‘Spots Paintings’ (begun in 1986), advocating instead for imperfection and vitality produced through chance.