Damien Hirst’s argument that “colour is just a powerful, uplifting thing” materialises in ‘Beverley Hills’. This facsimile print from Hirst’s ‘Colour Space’ (H5, 2018), which is based on an original work from his eponymous 2016 painting series, portrays a free-flowing approach to depicting spots: it diverges from his iconic ‘Spot Paintings’ (begun in 1986) whilst maintaining the same focus on the optical effects of colour relations.